Wednesday, November 26, 2008

Mies Friedrichstrasse and Curvilinear Skyscrapers





Mies, Skyscrapers (published in Fruhlicht, 1922)

Only skyscrapers under construction reveal the bold constructive thoughts, and then the impression of the high-reaching steel skeletons is overpowering. With the raising of the walls, this impression is completely destroyed; the constructive thought, the necessary basis for artistic form giving, is annihilated and frequently smothered by a meaningless and trivial jumble of forms. At very best one remains impressed by the sheer magnitude, and yet these buildings could have been more than just manifestations of our technical skill. This would mean, however, that one would have to give up the attempt to solve a new task with traditional forms; rather one should attempt to give form to the new task out of the nature of this task.

The novel constructive principle of these buildings comes clearly into view if one employs glass for the no longer load-bearing exterior walls. The use of glass, however, necessitates new approaches. In my design for the skyscraper at the Friedrichstrasse railroad station in Berlin, intended for a triangular site, a prismatic form corresponding the triangle appeared to offer the right solution for this building, and I angled the respective facade fronts slightly toward each other to avoid the danger of an effect of lifelessness that often occurs if one employs large glass panels. My experiments with a glass model helped me along the way and I soon recognized that by employing glass, it is not an effect of light and shadow one wants to achieve but a rich interplay of light reflections. That is what I strove for in the other design published here. At first glance the contour of the ground plan appears arbitrary but in reality it is the result of many experiments on the glass model. The curves were determined by the need to illuminate the interior, the effect of the building mass in the urban context, and finally the play of the desired light reflection. Ground plan contours in which the curves were calculated from the point of view of light and shadow revealed themselves on the model, if glass was employed, as totally unsuitable. The only fixed points in the ground plan are the stairs and the elevator shafts.

All other subdivisions of the ground plan are to be adapted to the respective needs and executed in glass.

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